The youngest of six musical
children, Dana was raised in a small town in rural Florida surrounded
by music – her older siblings’ band playing classic
rock in the garage, Ray Charles and Hank Williams on her parents’ turntable,
and a big dose of 70’s and 80’s funk at school.
At the age of 12 she joined the First Baptist Gospel Choir and
was singing, shouting, and praising the lord every week in a
small black church on the outskirts of town. At 16 she was fronting
a popular local band at a roadside Holiday Inn. It was the beginning
of a hunger for singing and the stage that Wildwood, Florida
couldn’t possibly satiate.
Soon she was headed north telling friends and family she was “going
to New York to sing the blues”.
Arriving in NYC alone and broke at the
age of 19, Dana soon found herself down and out on Manhattan’s Lower East Side.
After the wake-up call of her older sister’s suicide (Donna
was Dana’s first musical mentor), Dana pulled herself
together, determined to reconnect with her passion for music
and began hitting the local blues jams with a vengeance. It
was at one of these jams that she met Jon Diamond, an established
NYC guitarist who had toured with Joan Osborne and W.C. Handy
Award winner Debbie Davies. Immediately recognizing a musical
chemistry they formed the Dana Fuchs Band. Within a year the
band was a feature act at NY’s best blues clubs, often
sharing the stage and performing with the likes of John Popper,
James Cotton, and Taj Mahal. For another year Dana immersed
herself in the blues, playing 3 long sets a night, 4 nights
a week until 3 am, honing her already formidable vocal power
and performance style, and building a large, loyal following.
After 2 years of working the blues circuit
Dana knew it was time for a change and decided to tell her
own story and create
her own music. She and Jon began writing intensively, putting
together a solid body of original rock songs. Soon Dana was
back on the Lower East Side again, only this time on stage with
the band, debuting her songs to a packed house at Arlene’s
Grocery. The fan response was overwhelming. The band was soon
selling out shows at The Mercury Lounge, The Stephen Talkhouse
and BB King’s, sharing the bill with national acts, Little
Feat, Marianne Faithfull, and Etta James.
Not long after the producers of the
off-Broadway hit ‘Love,
Janis’, hearing raves about Dana from various cast and
crewmembers, asked her to come in for an audition. Dana went
in, sang a few bars of “Piece of My Heart,” and,
on the spot, was offered the role of Janis Joplin. Playing Janis
4 nights a week garnered Dana a whole new audience who were
soon at the DFB’s shows listening to Dana performing her
own music.
These songs can be heard on the band’s debut CD, Lonely
For A Lifetime, which was released to an enthusiastic response
from both press and fans. Drawing from influences ranging from ‘60s
Stax/Volt R&B, Lucinda Williams and The Rolling Stones,
Lonely for A Lifetime, hints, lyrically, at Tom Waits and Bob
Dylan, among others. Says Fuchs, “I wanted to capture
a soulful and rocking vibe…but with an earthiness to it.” Vocally
Dana was inspired by legendary singers including Etta James,
Otis Redding, Bobby Bland, Aretha Franklin, and Mavis Staples.
Notable tracks include “Strung Out, ”Lonely For
A Lifetime” and “Bible Baby.” Explains Fuchs, “These
tracks are about addiction and religious hypocrisy, and like
all of the tracks on the album deal with subjects that I have
a deep personal experience with. It’s crucial to me to
have a passionate connection to what I’m delivering in
order to create a sincere representation of me, my life and
my influences.”
Producer, co-writer, guitarist Jon Diamond
says: “Dana
is blessed with an incredibly warm, powerful and textured voice.
Her lyrics are direct and real. And while she has really studied
the great soul, rock & blues singers, she has synthesized
those influences into her own unique sound and style”.
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